An empty plaster room has an identifiable sonic signature. One should always tailor decisions for the specific location of a scene. Each location presents a different set of acoustical conditions, necessitating different reverbs. A character might be standing in a closet. It may seem obvious, but this presents a whole bunch of work when matching reverberations to the subject matter. Choose the ambience that best fits your sceneĪ scene can be set anywhere. They are algorithmic verbs, rather than convolution-based, but don’t let that influence your decision to use them in post-production-you can get a lot out of these tools precisely because of how tweakable they are. These are high-quality, exceedingly tweakable reverb plug-ins (and new to the iZotope family!). We’ll be using Exponential Audio reverbs in these examples. What follows is a list of tips to help you place a character in an appropriate location, first using reverb, and then tweaking elements around that reverb to get the point across. A reverb, just like any other tool, must be massaged into place to convince the audience. Need to simulate an open cornfield on a line of looped, inserted dialogue? Reverb can help you sell that ambience.īut reverb on its own is just a part of the battle. Need to transport a character to a spaceship? A reverb will help you. Reverb is a powerful tool in post-production-it can suggest spaces both real and suitably imaginary.
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